theonlymagicleftisart:

Latest Work by Agnes Cecile
Tumblr | DeviantArt | Facebook
The Only Magic Left is Art Quarterly Boxes are now $50 $30! Click here.
theonlymagicleftisart:

Latest Work by Agnes Cecile
Tumblr | DeviantArt | Facebook
The Only Magic Left is Art Quarterly Boxes are now $50 $30! Click here.
theonlymagicleftisart:

Latest Work by Agnes Cecile
Tumblr | DeviantArt | Facebook
The Only Magic Left is Art Quarterly Boxes are now $50 $30! Click here.
theonlymagicleftisart:

Latest Work by Agnes Cecile
Tumblr | DeviantArt | Facebook
The Only Magic Left is Art Quarterly Boxes are now $50 $30! Click here.
theonlymagicleftisart:

Latest Work by Agnes Cecile
Tumblr | DeviantArt | Facebook
The Only Magic Left is Art Quarterly Boxes are now $50 $30! Click here.
theonlymagicleftisart:

Latest Work by Agnes Cecile
Tumblr | DeviantArt | Facebook
The Only Magic Left is Art Quarterly Boxes are now $50 $30! Click here.

theonlymagicleftisart:

Latest Work by Agnes Cecile

Tumblr | DeviantArt Facebook

The Only Magic Left is Art Quarterly Boxes are now $50 $30! Click here.

asylum-art:

Valle’s “Heads” Series Dissects the Intricacies of Our Facial Expressions
Valentin Leonida (Valle) is a Bucharest-born 3D modeler and illustrator whose characters haunt imaginations. In his most recent series, “Heads,” Valle created five images revealing the interior of the human face as it makes emotional expressions. Titled  “Rhinocerus” (after Dürer),  “Melancholia”,  “Restless”, “Concentration”,  and “Serpent Mind,” the drawings and their evocative labels prompt curiosity. One wonders if the furrowed tension in “Concentration” is revealed on one’s own face, or if the emotional state is only made visible when Valle’s golden medical contraption pulls back the skin like a veil.
asylum-art:

Valle’s “Heads” Series Dissects the Intricacies of Our Facial Expressions
Valentin Leonida (Valle) is a Bucharest-born 3D modeler and illustrator whose characters haunt imaginations. In his most recent series, “Heads,” Valle created five images revealing the interior of the human face as it makes emotional expressions. Titled  “Rhinocerus” (after Dürer),  “Melancholia”,  “Restless”, “Concentration”,  and “Serpent Mind,” the drawings and their evocative labels prompt curiosity. One wonders if the furrowed tension in “Concentration” is revealed on one’s own face, or if the emotional state is only made visible when Valle’s golden medical contraption pulls back the skin like a veil.
asylum-art:

Valle’s “Heads” Series Dissects the Intricacies of Our Facial Expressions
Valentin Leonida (Valle) is a Bucharest-born 3D modeler and illustrator whose characters haunt imaginations. In his most recent series, “Heads,” Valle created five images revealing the interior of the human face as it makes emotional expressions. Titled  “Rhinocerus” (after Dürer),  “Melancholia”,  “Restless”, “Concentration”,  and “Serpent Mind,” the drawings and their evocative labels prompt curiosity. One wonders if the furrowed tension in “Concentration” is revealed on one’s own face, or if the emotional state is only made visible when Valle’s golden medical contraption pulls back the skin like a veil.
asylum-art:

Valle’s “Heads” Series Dissects the Intricacies of Our Facial Expressions
Valentin Leonida (Valle) is a Bucharest-born 3D modeler and illustrator whose characters haunt imaginations. In his most recent series, “Heads,” Valle created five images revealing the interior of the human face as it makes emotional expressions. Titled  “Rhinocerus” (after Dürer),  “Melancholia”,  “Restless”, “Concentration”,  and “Serpent Mind,” the drawings and their evocative labels prompt curiosity. One wonders if the furrowed tension in “Concentration” is revealed on one’s own face, or if the emotional state is only made visible when Valle’s golden medical contraption pulls back the skin like a veil.
asylum-art:

Valle’s “Heads” Series Dissects the Intricacies of Our Facial Expressions
Valentin Leonida (Valle) is a Bucharest-born 3D modeler and illustrator whose characters haunt imaginations. In his most recent series, “Heads,” Valle created five images revealing the interior of the human face as it makes emotional expressions. Titled  “Rhinocerus” (after Dürer),  “Melancholia”,  “Restless”, “Concentration”,  and “Serpent Mind,” the drawings and their evocative labels prompt curiosity. One wonders if the furrowed tension in “Concentration” is revealed on one’s own face, or if the emotional state is only made visible when Valle’s golden medical contraption pulls back the skin like a veil.
asylum-art:

Valle’s “Heads” Series Dissects the Intricacies of Our Facial Expressions
Valentin Leonida (Valle) is a Bucharest-born 3D modeler and illustrator whose characters haunt imaginations. In his most recent series, “Heads,” Valle created five images revealing the interior of the human face as it makes emotional expressions. Titled  “Rhinocerus” (after Dürer),  “Melancholia”,  “Restless”, “Concentration”,  and “Serpent Mind,” the drawings and their evocative labels prompt curiosity. One wonders if the furrowed tension in “Concentration” is revealed on one’s own face, or if the emotional state is only made visible when Valle’s golden medical contraption pulls back the skin like a veil.
asylum-art:

Valle’s “Heads” Series Dissects the Intricacies of Our Facial Expressions
Valentin Leonida (Valle) is a Bucharest-born 3D modeler and illustrator whose characters haunt imaginations. In his most recent series, “Heads,” Valle created five images revealing the interior of the human face as it makes emotional expressions. Titled  “Rhinocerus” (after Dürer),  “Melancholia”,  “Restless”, “Concentration”,  and “Serpent Mind,” the drawings and their evocative labels prompt curiosity. One wonders if the furrowed tension in “Concentration” is revealed on one’s own face, or if the emotional state is only made visible when Valle’s golden medical contraption pulls back the skin like a veil.

asylum-art:

Valles “Heads” Series Dissects the Intricacies of Our Facial Expressions

Valentin Leonida (Valle) is a Bucharest-born 3D modeler and illustrator whose characters haunt imaginations. In his most recent series, “Heads,” Valle created five images revealing the interior of the human face as it makes emotional expressions. Titled  “Rhinocerus” (after Dürer),  “Melancholia”,  “Restless”, “Concentration”,  and “Serpent Mind,” the drawings and their evocative labels prompt curiosity. One wonders if the furrowed tension in “Concentration” is revealed on one’s own face, or if the emotional state is only made visible when Valle’s golden medical contraption pulls back the skin like a veil.

(via asylum-art)

asylum-art:

Jeff Zimmerman
asylum-art:

Jeff Zimmerman
asylum-art:

Jeff Zimmerman
asylum-art:

Jeff Zimmerman
asylum-art:

Jeff Zimmerman
asylum-art:

Jeff Zimmerman
asylum-art:

Jeff Zimmerman
asylum-art:

Jeff Zimmerman
asylum-art:

Jeff Zimmerman
asylum-art:

Jeff Zimmerman
caduceos:

This is an Armadillo Girdled Lizard. Looks like a cute baby dragon. He is biting his tail in this picture to curl up into a ball as a defensive mechanism. 

caduceos:

This is an Armadillo Girdled Lizard. Looks like a cute baby dragon. He is biting his tail in this picture to curl up into a ball as a defensive mechanism. 

(via lightdarkandshade)

calvinklein:



jamie dornan - behind the scenes for calvin klein


50 shades of Jamie.
calvinklein:



jamie dornan - behind the scenes for calvin klein


50 shades of Jamie.
calvinklein:



jamie dornan - behind the scenes for calvin klein


50 shades of Jamie.
calvinklein:



jamie dornan - behind the scenes for calvin klein


50 shades of Jamie.
calvinklein:



jamie dornan - behind the scenes for calvin klein


50 shades of Jamie.
calvinklein:



jamie dornan - behind the scenes for calvin klein


50 shades of Jamie.
calvinklein:



jamie dornan - behind the scenes for calvin klein


50 shades of Jamie.
calvinklein:



jamie dornan - behind the scenes for calvin klein


50 shades of Jamie.

calvinklein:

jamie dornan - behind the scenes for calvin klein

50 shades of Jamie.

itscolossal:

Paper Play: A New Book About the Art of Papercraft from Gingko Press
itscolossal:

Paper Play: A New Book About the Art of Papercraft from Gingko Press
itscolossal:

Paper Play: A New Book About the Art of Papercraft from Gingko Press
itscolossal:

Paper Play: A New Book About the Art of Papercraft from Gingko Press
itscolossal:

Paper Play: A New Book About the Art of Papercraft from Gingko Press
itscolossal:

Paper Play: A New Book About the Art of Papercraft from Gingko Press
azertip:

Sam Wolfe Connelly
azertip:

Sam Wolfe Connelly
azertip:

Sam Wolfe Connelly
azertip:

Sam Wolfe Connelly
azertip:

Sam Wolfe Connelly
azertip:

Sam Wolfe Connelly
azertip:

Sam Wolfe Connelly
azertip:

Sam Wolfe Connelly
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.

asylum-art:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.

Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.

(via asylum-art)